Where we all show up.

My Kids and Yours – a new :30 spot for the BC Teachers’ Federation, created with The NOW Group and directed by Alexander Farah. Schools are the first place most of us learn what it means to belong somewhere, and with the impending school board elections, BCTF wanted BC voters to feel what’s actually at stake.

So we built the spot around a single morning at a typical BC school. Kids being kids, each one different to the next. A curb full of drop-offs – and inside, teachers stretched thin but still showing up. The art direction, wardrobe, and cinematography choices – all committed to realism and a lived-in feeling typical of Alexander’s work.

A caring parent watches on, narrating our spot and delivering the key message in solidarity with BC teachers. A sincere thank you to our top class crew, and to BCTF and The NOW Group for trusting us with this.

Schools are the first place most of us learn what it means to belong somewhere. That came up on the first briefing call and it stuck. With school board elections coming this fall, the BCTF and The NOW Group didn’t want a spot about policy. They wanted BC voters to feel what’s actually at stake — the people who keep showing up for our kids every day, often under real strain, and what it means to support them properly. Thirty seconds isn’t much room for something that big. Alex Farah’s approach was to make the school feel completely real and let that do the work. Every decision pointed the same way: the teachers and the small details of their classrooms, the students and what they wore, how they moved, how they behaved when nobody was directing them. Casting, wardrobe, art department and camera all pulled together — lived-in, specific, unglamorous. A campaign about real schools shouldn’t look like anything else. We also had a school board rep on set throughout, making sure everything we put on camera was a genuine reflection of how BC schools actually run and what teachers actually do.

Then the shoot itself made the point for us. Two days at General Wolfe Elementary, fifty-one crew, thirty-three kids and their guardians, and a spot that only worked if those kids were actually themselves on camera. You don’t get that by calling out directions from behind the monitor. Alex sat with them. Figured out what made each one laugh. Let them get bored and comfortable before any of it counted. He had a great child actor coach beside him and a crew that gave the kids space instead of hurrying them along. Everything good in the final cut came from that. Which is more or less what teachers do all day — give a kid your time first, and the rest follows. Watching it happen for two days in a real school said more than any line of copy could, and it left the whole crew with a lot more respect for the people doing this work daily.

Agency

The NOW Group

Creative Director

Fraser White

Media & Production Coordinator

Neha Srivastava

Account Manager

Ellaine Quiambao

Director

Alexander Farah

DOP

Liam Mitchell

Production Designer

Adriana Marchand

Executive Producer

Martin Glegg

Executive Producer

Matt Lawrence Dix

Executive Producer

Jenni Baynham

Line Producer

Curtis Binkowski

Production Manager

Sydney Robertson

Offline & Online Post

Cycle Media

Editor

Matthew Griffiths

Colourist

SoYoung Park

Colourist (Director's Cut)

Sam Gilling

Composer

Kalaisan Kalaichelvan

Post Sound

Parlante Sound

SERVICES PROVIDED

Creative, Production